International Computer Music Conference 2021, Pontificia Universidad Católica de Chile, Santiago, Chile.The Virtuoso Computer: Redefining Limits, sound and image presentation, POINT SINK - cceptata
LOXOSconcept and MA/IN acoustic compilations present SCREE from the 2017 MIXTAPE
New York City Electroacoustic Festival, 2020 Virtual Festival, Concert 14, sound and image presentation, POINT SINK
BBC Radio 3, New Sounds Program with Egidija Medeksaite and Bent Sorensen, April 18, 2020, HORN VOLLEY
Convergence Festival 2019, MTI2 Institute for Sonic Creativity, Pace Building, De Montfort University,Leicester, UK, multichannel presentation, HORN VOLLEY
ICMC-NYCEMF, Sheen Center, Loreto Theatre, 18 Bleecker St New York, NY, September 13, 2019, 32-channel diffusion, HORN VOLLEY
The Society for Electroacoustic Music in the United States (SEAMUS) Festival, Berklee College of Music, Boston Conservatory at Berklee, June 19, 2019, multichannel performance of HORN VOLLEY
Contemporanea Festival 2018, Taukay Edizioni Musicali, Udine, Italy, March 23, 2019, multichannel Performance of SCREE
International Festival of Experimental Music Bratislava 2018, 24 March, 2018, Musica Nova on Stage, Presentation by Lenka Dohnalova, Mytna 1, Acoustic Projection by Juraj Duris, Slovensky rozhlas Bratislava, multichannel Performance, SCREE,
Akusmatisches Konzert #4, Musik aus Strom und im Dunkein, Ernst von Hofierten - Kunstlerische Werkstätten, Trebel, GmbH, Eifuhrung und Klanregie: Clemens von Reusner, October 13, 2018, multichannel performance of SCREE
Concert FOLDOVER, Produced by Tom Lopez, WOBC 91.5 FM, September 27, 2018, SCREE * SINKING AIR
Contemporanea Festival 2018, Taukay Edizioni Musicali, October 2018, Udine, Italy, multichannel performance of SCREE
Acoustic Frontiers, CKCU, Broadcast performance, September 24, 2018, SINKING AIR
Special Mention for the “Electroacoustic Music” section, International Composition Competition, Citta di Udine, Taukay Edition Musicali, July 2018, SCREE
Concert for the Prize Winners of Music Nova Prague, West Court, Edinburgh College of Art, 8-channel diffusion Peter Nelson, January 2018, SCREE
Matera Intermedia Festival, December 1-6, MA/IN 2017, Hosted by LOXOSconcept, Matera, Italy, multichannel diffusion, SCREE
Raras Músicas: emisión 53: Presentamos al artista visual y sonoro americano Fred Szymanski en una obra electrónica generada a partir de imágenes, ÁGORA SOL RADIO, November 21, 2017, FLUME https://www.agorasolradio.org/podcast/rarasmusicas/53-improvisaciones/
July 14, 2017, NYCEMF, National Sawdust, Brooklyn, New York, NY, multichannel acousmatic presentation, SCREE
The Concert of Laureats of the Competition Musica Nova 2017, Alfred ve Dvore Theatre, Fr. Krizka 36, Praha 7, December 8, 2017 SCREE
Awarded the First Prize for Composition of Autonomous Art of Electroacoustic Music, Musica Nova 2017, Society for Electroacoustic Music of Czech Republic, Lenka Dohnalova, Director, Rudolf Ruzicka, Chairman of the Jury, Prague, acousmatic art, SCREE
Mise-En Place, Bushwick, New York, Audiovisual Music Concert, September 23-24, 2017, TURBULENCE-CONVECTIONS
The Foundation Destellos X Competition for electroacoustic composition and video music 2017, Mar del Plata, Argentina, Honorary Mention, acousmatic category, SCREE
New York Phil Biennial and NYC Electroacoustic Music Festival, National Sawdust, Brooklyn, NY, June 6th 2017, sound and image presentation with multi-channel diffusion, TURBULENCE-CONVECTIONS
MA/IN 2016 MAtera INtermedia Festival, Hosted by LOXOSconcept, Casa Cava Auditorium, December 21, Matera, Italy, image and multi-channel sound, presentation, TURBULENCE - CONVECTIONS
Festival NEUE MUSIK Lüneburg, Elektroakustische Musik aus New York City, Glockenhaus, Curated by Helmut Erdmann and Hubert Howe, Fortbildungszentrums für Neue Musik in Lüneburg, DL, October 14, 2016, SINKING AIR
NYC Electroacoustic Music Festival , acoustmatic presentation with 16-channel diffusion, October 14, 2016, SINKING AIR
Sonography Radio with Peter Doyle, December 23, 2015, FLUME
Sonography presents a sound diary of the past 70 years exploring the history and importance of electro-acoustic music, industrial sound-scapes, sound poetry and environmental sounds in context with contemporary and future experiments with music and noise.
MAtera INtermedia Festival, Hosted by LOXOSconcept, Matera, Italy, Honorable Mention, December 21, 2015, Audiovisual Composition, TURBULENCE-CONVECTIONS
Sound Junction Concert, The University of Sheffield Sound Studios, Curated by Adrian J. Moore, Firth Hall, UK, multi-channel sound diffusion, October 31, 2015, SINKING AIR
Concours International de Composition Electroacoustique de Monaco, Awarded Premier Prix Electroacoustique, performance for 42-channel acousmonium, Theatre des Varietes, Monaco Electroacoustique, Academy Rainier III, May 30, 2015, Artistic Direction Mario Mary, SINKING AIR
International Computer Music Conference DVD, Looking Back Looking Forward, with 8-channel version, The Center for Experimental Music and Intermedia (CEMI), UNT Denton, TX, September 25, 2015, SINKING AIR
ICMC, Hosted by The Center for Experimental Music and Intermedia (CEMI), Lyric Theatre, UNT Denton, TX, 32-channel diffusion, September 24, 2015, SINKING AIR
Nomades, Curated by Claudia Robles-Angel, Onomatopoeia Kunstlerverein, Dusseldorf, sound and image presentation with 4-channel diffusion, July 31, 2015, TURBULENCE-CONVECTIONS
International Computer Music Conference/Sound and Music Computing 2014, Under the auspices of H.E. The Preseident of the Hellinic Republic Dr Karolos Papouolias, Onassis Cultural Center, Athens, GR, Fixed Media and live spatialization IV Program, multi-channel performance, September 17, 2014, TENSUS
>SYNC.2013, International Festival-Competion of Electroacoustic Music and Multimedia, organizer Tatiana Komarova, winner of III degree, November, 2013, Yakaterinburg Studio of Electroacoustic Music (YEAMS), the Ural State Conservatory, Ekaterinburg, Russia, multi-channel acousmatic work, TENSUS
MUTEK Festival with Recombinant Media Labs' (RML) CINECHAMBER, Aural Optic program, Montreal, CA, May 22 - June 3, 2012, multi-screen image and multi-channel sound, TURBULENCE-CONVECTIONS
Club Transmediale with Recombinant Media Lab's CineChamber, multi-channel image & sound performance with 10 screens and 8.2 channel sound, HAU 2, February 1 - 6, 2011, Berlin, DISLOCATIONS 2
NYC Electroacoustic Music Festival, March 27, 2010, City University of New York, Graduate Center, 365 Fifith Avenue, New York, New York, 8-channel diffusion of ARKOSE
Music Under the Influence of Computers, Concert 3, February, 16, 2010, Black Box Theater Atkinson Hall, UCSD, San Diego, CA, 8-channel performance, ESKERS
International Computer Music Conference 2009 Festival, Montreal, Quebec, Canada, August 16 - 21, 2009, presentation 8-channel diffusion, ESKERS
Musica Nova 2008, Society for Electroacoustic Music of Czech Republic, Prague, Czech Republic, November, 2008, Finalist, ESKERS
NYC Electroacoustic Music Festival, City University of New York, Graduate Center, 365 Fifith Avenue, New York, New York, March, 2010, performance for 8-channel loudspeakers, ARKOSE
University of Hawaii Art Gallery at Manoa, Honolulu, Hawaii, March 4 – April 13, 2007, multi-screen image and sound presentation, FRICTION STICKY ROUGH
Introducing Media Art, European Media Art Festival, Osnabrueck, Germany, April 26, 2007, sound and image presentation, FLEXORS
MENTION: Institut International de Musique Electroacoustique - Palmarès des 34° Concours de Bourges 2007, 7e catégorie : œuvre pour le multimédia, FLEXORS
The Ninth Annual Activating the Medium Festival, Presented by 23five and in conjunction with The San Francisco Art Institute and San Francisco Cinematheque, Curated by Scott Arford, February 10 - 12, 2006, sound and image presentation, RETENTIONS 1 – 4
Govett-Brewster Art Gallery, New Plymouth, New Zealand., 20 May - 16 July 2006, multi-screen image and sound presentation, FRICTION STICKY ROUGH
FOLDOVER Broadcast, Produced by Tom Lopez, WOBC, March 21, 2005, NOZZLE * REPULSION
Games People Play, Berkeley Art Museum and Pacific Film Archive (PFA), Curated by Steve Seid, Berkeley, California, February 2005, sound and image presentation,VENT
SightSonic 2005 Festival, York International Festival of Digital Arts, Tony Myatt, Festival Chair, October, York, UK, sound and image presentation,VENT
ICMC Festival, La Fundación Phonos, la Universidad Pompeu Fabra de Barcelona y la Escuela Superior de Música de Cataluña (ESMUC), Barcelona, Spain, September 2005, sound and image presentation, VENT
Wood Street Galleries, Pittsburgh, Pennsylvania, November 4 – December 31, 2005, multi-screen image and sound presentation, FRICTION STICKY ROUGH
Art in Review; What Sound Does a Color Make?, Eyebeam Show, by Ken Johnson, New York Times Arts, Eyebeam Center for Art and Technology, 540 West 21st Street, New York, July 8, 2005, FRICTION STICKY ROUGH
Center for Art and Visual Culture, University of Maryland, Baltimore County Baltimore, Maryland, February 2 – March 18, 2006, multi-screen image and sound presentation, FRICTION STICKY ROUGH
What Sound Does a Color Make? organised & circulated by Independent Curators International, Susan Hapgood, Director, Curated by Kathleen Ford, Produced by Benjamin Godsill, Essay by Kathleen Ford, Interview with Naut Humon and Steina Vasulka, Eyebeam Center for Art and Technology, multi-screen image and sound presentation, FRICTION STICKY ROUGH
Microprocesses , Island Film & Video Festival, Curated by Steven Ball, UGC Cinema, West India Quay, Hertsmere Road, West India Quay, London, March 2005. (IslandFestival), RETENTIONS 1 – 4
FLUME, Part of compilation: An Anthology of Noise and Electronic Music / Third A-chronology 1952-2004,Volume 3. Sub Rosa, Bruxelles, Belgium, 2004
International Computer Music Festival, University of Miami, Miami, Florida, September 2004, multi-screen image and sound presentation, FRICTION STICKY ROUGH
NOZZLE CD, A Laminar Project, Produced by Naut Human, Asphodel Recordings Ltd., San Francisco, September, 2003
Abstraction Now, Künstlerhaus-Kino,Vienna, Curated by Norbert Pfaffenbichler and Sandro Droschl, Kunsthaus, Graz, Austria. August - September, 2003, RETENTIONS 1-4
Interview, Decibel Magazine, exibArt, February, 2003, RETENTIONS
Larger than Life, European Media Art Festival, International Selection, Curated by Herman Noring, Alfred Rotert, Ralf Sausmikat, "Take a Stroll", EMAF, Osnabruck, Germany, April 2003, RETENTIONS 5
Signal 2 Noise, Center for Digital Arts and Experimental Media, University of Washington, April 2003 Immanence Programm, RETENTIONS 1-4
Rencontres Internationales Festival #6, roARaTorio, Paris and Berlin, February 2003, RETENTIONS 1-4
SonicLIGHT 2003, ninth edition of the Sonic Arts Festival, Curated by Joost Rekveld, Edwin van der Heide and Naut Humon, Recombinant Media Lab, Paradiso, Amsterdam, February 2003, RETENTIONS 1-4
MANIFOLD CD, A Laminar Project, JDK Productions, Amsterdam, December 2002
Diapason Gallery for Sound and Intermedia, New York, October 2002, Crated by Michael Schumacher, Multiple-screen installation with 6.2 surround sound, FRICTION STICKY ROUGH
evo1 exhibition, Produced and curated by Nina Colosi of New York City, the exhibition features works from BiTSTREAM, soundscape and electronic music. October 4 at Gallery L, Moscow, FEEDER 8
Concert L'Aquila, in collaboration with Agostino Di Scipio, Palazzetto dei Nobili, ore 18:00, 2 REMIX (based on Fred Szymanski's material) - world premiere ads (regia del suono), April 11, 2002
WHORL, homage to Iannis Xenakis’s "Persepolis”, Part of compilation CD Persepolis/Remixes, Asphodel Recordings, June 2002
Canadian Electroacoustic Community - eContact! 10.2 - Online Journal for Electroacoustic Practices, Interview with Kalvos & Damian, Kalvos & Damian’s New Music Bazaar Show, WGDR, November 3, 2001, MANIFOLD
FEEDER #8 Part of compilation CD Bit Streams, Sound works from the exhibition at the Whitney Museum of American Art”, JDK Productions, Amsterdam, 2001
VideoRom program, Valencia Biennial, Curated by Cristiana Perrella, Valencia, Spain, June - October, 2001, RETENTIONS 1-4
9th Biennial of the Moving Image, Centre pour l'image contemporaine, Curated by Stephen Vitiello, Geneva, November 2001, RETENTIONS 1-4
Sonic Saboteurs, Berkeley Art Museum and Pacific Film Archive, Curated by Steve Seid, Berkeley, California, September 2001, RETENTIONS 1-4
BiTSTREAMS, 2001 exhibition at the Whitney Museum of American Art, New York, Curated by Lawrence Rinder and Debra Singer, Associate, Curator of Contemporary Art, with artistic advisors Stephen Vitiello and Christian Paul, FEEDER 8
Music without Walls? Music without Instruments?, Festival Performance Phoenix Centtre, DMU, Leicester, England, sound and image presentation, June 2001, RETENTIONS 1-4
Experimentell, Abstract, Poetisch, VideoEx Festival of Video and ExperimentalFilm, Zurich, May 2001, RETENTIONS 1-4
Sounds of Vision, International Diviision, European Media Art Festival, Osnabruck, Germany, April 2001, RETENTIONS 1-4
Noise-Generators. From the Electroacoustic Tradition to Internet Audio Art, Conferenza-concerto di Agostino Di Scipio, Musica Millemondi, rassegna Eclettica, 15 Mar.2001 - Napoli, Galleria Toledo, Antechamber, sector 4 (1999) 4'00"
International Computer Music Conference Festival performance, Akademie der Kunste, Berlin, September 2000, sound and image presentation, PORTE DONNANT
December 1999 (Gold Medal award), Experimental division, 33rd New York Exposition of Short Film and Video, New York, sound and image piece , PORTE DONNANT
ANTE-CHAMBER CD (Laminar Project), Soleilmoon Recordings, Portland and Staalplaat, Amsterdam, 1999
International Video program, “Dialogues ‘99”, Mathew Gallery, Edinburgh, October 1999, sound and image piece, PORTE DONNANT
Vidarte (video performance), Curated by Manuel Rocha Iturbide, Festival de Video y Artes Electronicas, The Mexican National Council for Culture and the Arts, Mexico City, September 1999, PORTE DONNANT
Electronic Music Foundation (EMF) performance with realtime diffusion by Carla Scaletti using Kyma, curated by Carla Scaletti and Kurt Hebel, Engine 27, New York, September 1999, sound and image presentation, PORTE DONNANT
IT IS HARD TO KNOW, Part of compilation CD A Storm of Drones, the third CD of The Sombient Trilogy, Asphodel Recordings, San Francisco, 1998
ATTENDEZ, an audio journal of the streets of Paris, Part of compilation CD, USA vs Europe, Strange Ways Records, Hamburg, 1997
Views beside, Book with 7" Vinyl, Published Berlin Ed. Vogelsang, Germany, "Anaplasia For Italian And Noise Gate"
Early Work: BROADCAST STATE, multiple feedback network for 12 radio transmitters and rolling antennae, investigates how individual agents conform to the practices of institutions and also to show how the evidential tokens of institutions are themselves the product of individual actions in the sound environment.
Sonorità Prospettiche (Prospective sonorities), Suono, Ambiente, Imagine, Comune di Rimini, Italy, Curated by Franco Masotti, Roberta Masotti, Veniero Rizzardi, Roberto Taroni: (transmitted to: Venice Biennale; Kulturforum of Bonn; Kulturreferat of Munchen; "Oggi Musica" of Lugano, Switzerland and City of Turin), Multi-screen and multichannel sound installation, BROADCAST STATE 2
Artists Space, Long Gallery, in collaboration with Tim Maul, April 9th - May 7th, 1983, Committee for the Visual Arts, 105 Hudson Street, New York, New York, Multi-screen and multichannel sound installation, BROADCAST STATE